WED 5pm: Coolzey talks about his Concert in Fairfield Thursday Night at the Depot

Coolzey was borne out of the cornfields of central Iowa and now travels the land from his home base in Los Angeles. A boy who for some unexplained reason grew up only being able to listen to roughneck east coast hip hop and Weird Al Yankovic began looping tapes and rhyming into boomboxes. After that there was Pavement, the Wu Tang Clan, mushrooms, sex, and America.

The rest, as they say, is history.

Coolzey blurb for San Francisco show – LOUDFARM:

“The samples this guy pulls out are incredible, and they make you feel like the first time you heard Big Daddy Kane or KRS-One. The redundant nature of radio hip hop these days makes the genre less than exciting, but Coolzey’s throwbacks to the days before auto-tune was the standard are a welcome break..”

Golden era hip-hop roots planted in black Iowa dirt, tempered by 90s alternative era rock influence, yields a juxtaposition of the dark, horrific nature of life paired with a slapstick and comedic view of the world, allowing for a wide, unpredictable arsenal of material ranging from soul-spilling indie bedroom rock to wise-cracking battle rap and on to radio pop.

Coolzey stepped into the public eye around 2005 with a demo album and a series of exploratory DIY tours with rapper/comedian and friend Schaffer the Darklord. Interest spread quickly and Coolzey found himself touring alongside hip-hop legends from Brand Nubian and Jurassic 5 as well as punk rock heroes like Dead Milkmen. Coolzey’s first album ‘The Honey’ was released in 2010 and second official full-length ‘Hit Factory’ in 2013. In these albums as well as in a number of EPs, collaborations and side projects, he finds his niche as a songwriter, navigating hip-hop, rock, punk and pop in the spirit of genre defying influences such as Ween, Beck, The Beastie Boys and Outkast.

Coolzey’s love for multiple genres can also be evidenced in his record label Public School Records, which curates music from grimy underground hip-hop like Bru Lei and DJ PRZM of Spitball to the pop punk ear candy of Lipstick Homicide. In 2014 Public School Records partnered with Fake Four Inc’s Four Finger Distro to bring the label global distribution.